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Wit and puns aren't just decor in the mind; they're essential signs that the mind knows it's on, recognizes its own software, can spot the bugs in its own program
Adam Gopnik
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Yet human intelligence has another force, too: the sense of urgency that gives human smarts their drive. Perhaps our intelligence is not just ended by our mortality; to a great degree, it is our mortality
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This is surely the most significant of the elements that Tolkien brought to fantasy.... his arranged marriage between the Elder Edda and "The Wind in the Willows"--big Icelandic romance and small-scale, cozy English children's book. The story told by "The Lord of the Rings" is essentially what would happen if Mole and Ratty got drafted into the Nibelungenlied
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I remember looking out the window of the little maid's room where we had been installed, seeing the lights of the Palisades across the way, and thinking, There! There it is! There's New York, this wonderful city, I'll go live there someday. Even being in New York, the actual place, I found the idea of New York so wonderful that I could only imagine it as some other place, greater than any place that would let me sleep in it--a distant constellation of lights I had not yet been allowed to visit. I had arrived in Oz only to think, Well, you don't LIVE in Oz, do you?
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Ever since, New York has existed for me simultaneously as a map to be learned and a place to aspire too--a city of things and a city of signs, the place I actually am and the place I would like to be even when I am here. As a kid, I grasped that the skyline was a sign that could be, so to speak, relocated to New Jersey--a kind of abstract, receding Vision whose meaning would always be "out of reach," not a concrete thing signifying "here you are." Even when we are established here, New York still seems a place we aspire to. Its life is one thing--streets and hot dogs and brusqueness--and its symbols, the lights across the way, the beckoning skyline, are another. We go on being inspired even when we're most exasperated
