Copy ImageI remember at the reception you said to me, 'I'm the daughter of a father who's been married five times. Mother killed herself. My sister killed herself. My brother has been in a mental institution. I'm twenty-three and divorced with two kids.' I said, 'Brooke, either you've got to open the window right now'--we were on the tenth floor--'either you've got to open the window right now and jump out, or say "I'm going to live," because you're right, it's the worst family history that anybody ever had, and either you jump out the window or you live
Brooke Hayward
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I wrote in a bedroom crowded with ghosts," Brooke Hayward says. "My mother would disapprove, and my father would be horrified. The moral of my book is that you pay for everything. They were rich, accomplished, famous and beautiful. We were drowned in privilege, yet it ended in all this hideous tragedy." (interview from People magazine (May 23, 1977)
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Out of perverseness, I jumped on the subway and went down to a sound stage on Fourth Street to watch the shooting of Kay Doubleday's big strip scene in Mad Dog Coll, a gangster film that can still, to my embarrassment, be seen occasionally on late-night TV... Kay Doubleday was in my class at Lee Strasberg's; it was in the interest of art, I told myself, to watch her prance down a ramp, singing and stripping her heart out
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This book is a personal memoir; but it is also a larger story-about carelessness and guilt, and the wreckage they can make of lives
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Our lives were a series of extremes. A thanksgiving of riches was bestowed on us at birth: grace and joy and a fair share of beauty; privilege and power. Those blessings which luck had overlooked could be bought. We seemed to exist above the squalor of suffering as most people know it. We were envied. But there were also more expectations