Joseph-Louis Lagrange

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Lagrange, in one of the later years of his life, imagined that he had overcome the difficulty (of the parallel axiom). He went so far as to write a paper, which he took with him to the Institute, and began to read it. But in the first paragraph something struck him that he had not observed: he muttered: 'Il faut que j'y songe encore', and put the paper in his pocket.' [I must think about it again]

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The great masters of modern analysis are Lagrange, Laplace, and Gauss, who were contemporaries. It is interesting to note the marked contrast in their styles. Lagrange is perfect both in form and matter, he is careful to explain his procedure, and though his arguments are general they are easy to follow. Laplace on the other hand explains nothing, is indifferent to style, and, if satisfied that his results are correct, is content to leave them either with no proof or with a faulty one. Gauss is as exact and elegant as Lagrange, but even more difficult to follow than Laplace, for he removes every trace of the analysis by which he reached his results, and studies to give a proof which while rigorous shall be as concise and synthetical as possible

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When one day Lagrange took out of his pocket a paper which he read at the Académe, and which contained a demonstration of the famous Postulatum of Euclid, relative to the theory of parallels. This demonstration rested on an obvious paralogism, which appeared as such to everybody; and probably Lagrange also recognised it such during his lecture. For, when he had finished, he put the paper back in his pocket, and spoke no more of it. A moment of universal silence followed, and one passed immediately to other concerns