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Dzieje kultury wykazują, ze głupota jest siostrą bliźniaczą rozumu, ona rośnie najbujniej nie na glebie dziewiczej ignorancji , lecz na gruncie uprawnym siódmym potem doktorów i profesorów. Wielkie absurdy nie są wymyślane przez tych, których rozum krząta się wokół spraw codziennych. Nic dziwnego zatem, że właśnie najintensywniejsi myśliciele bywali producentami największego głupstwa. / The history of culture shows that foolishness is a twin sister of wisdom. It does not flourish on the fields of pure ignorance but on the fields tirelessly plowed by doctors and professors. Great absurdities do not flourish where one is busy with everyday life. No wonder that sometimes most vigorous thinkers come up with utmost stupidities. (Dziennik 1956, XIX, Thursday)
Witold Gombrowicz
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If you were to stare at this box of matches, you could extract entire worlds out of it. If you search for tastes in a book, you will certainly find them because it was said: seek and ye shall find. But a critic should not rifle, search. Let him sit back with folded arms, waiting for the book to find him. Talents should not be sought with a microscope, a talent should let people know about itself by striking at all the bells
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Mnie Bóg, w życiu moim, nigdy nie był potrzebny - od najwcześniejszego dzieciństwa, ani przez pięć minut - byłem zawsze samowystarczalny. / I have never in my life needed God - from the infancy, since I was 5, I was self-sufficient. (Dziennik 1956, XVIII Niedziela)
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Listen, nitwit, what good will it do you to know whether I am "sincere" or "insincere"? What does this have to do with whether or not my thoughts are right? I can utter a soaring truth "insincerely" and say the stupidest thing "sincerely". Learn to judge the thought independently of who says it or how
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I do not fear that "future generations will not read novels," etc. It is probably a complete misunderstanding to conceive of serious art in categories of production, market, readers, supply and demand(...)art is not the fabrication of stories for readers but a spiritual cohabitation, something so tense and so separate from science, even contradictory to it, that there can be no competition between them. If someone fine, dignified, prolific, brilliant (this is how one ought to speak of artists this is the language art demands) is born in the future, if someone unique and unrepeatable is born, a Bach, a Rembrandt, then he will win people over, charm and seduce them
