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As soon as [Patricia Highsmith] had stopped work, she felt purposeless and quite at a loss about what to do with herself. 'There is no real life except in working,' she wrote in her notebook, 'that is to say in the imagination.' It was in this state that she observed that only one situation would drive her to commit murder - being part of a family unit. Most likely, she thought, she would strike out in anger at a small child, felling them in one blow. But children over the age of eight, she surmised, would probably take two blows to kill. The reality of socialising with anyone, no matter how close, she said, left her feeling fatigued